A. We first felt the raw passion of Korean users at G-STAR. The queues were far beyond our expectations, and many fans told us they had taken time off work or travelled by train just to be there. That kind of direct emotional connection is something online data simply cannot replicate. This fan meeting is an extension of that G-STAR experience; we promised we would return, and we have kept that word.

There are far too many memorable moments to list, but one message from a graduate student during the application process truly stuck with us. It was a 28,000-character thesis-style application detailing how the game influenced their daily life. From starting daily hour-long Chinese language studies at the library to installing over 20 Chinese apps, planning a trip to China, and even seeing improvements in their social life—the humour and sincerity in that letter left the entire team stunned.

Despite the linguistic and cultural barriers, it is clear that Korean users have a profound understanding of our narrative, characters, and themes. We are thrilled to hear that some have even taken an interest in Chinese culture, started learning the language, and are dreaming of visiting China because of our game. We are sincerely grateful to everyone who has recommended the Prosperity series and helped others discover this special experience.

A. For returning players, Prosperity 2 feels like a natural continuation of the emotional foundation laid by the first game, with character arcs and relationships evolving over time. You will find yourself drawn back into the story as you see how familiar faces have changed.

For newcomers, we have provided necessary context at key moments to ensure that even without playing the first game, the relationships and emotional stakes remain clear. Of course, should a new player become intrigued and decide to play the first game, they will find even more layers and connections to uncover.

A. If a traditional period drama is merely 'watching someone else's prosperity,' what we aim to provide with the Prosperity series is the experience of the user rewriting their own destiny.

FMV bridges the interactive nature of gaming with the visual experience of film, pulling the audience directly into the protagonist's shoes. This is the core differentiator. The spectator is no longer a bystander; they are the decision-maker. The cinematography, acting, and branching paths all serve one ultimate purpose: to make the user feel a genuine surge of emotion—be it hesitation, excitement, or curiosity—the moment they press a choice.

When the narrative revolves around 'you,' player immersion and the drive to share experiences skyrocket. FMV is an all-ages entertainment medium capable of capturing new users while offering a longer content lifecycle and various monetization paths. Our unique interactive storytelling bridges cultural gaps. If a choice lacks weight, even the most beautiful screen is nothing but wallpaper. Immersion is the pillar of the entire experience.

A. The most significant shift is the evolution of the narrative from 'survival' to 'governance.' While the first game was about surviving the inner palace, Prosperity 2 sees the protagonist stepping out into the royal court. It is no longer just about life and death; it is about political maneuvering and the deeper conflicts of human nature.

The story has expanded from personal destiny to the fate of a nation. The production scale has also doubled, with a total runtime of approximately 1,000 minutes. The 'Ascension' scene, a key highlight, required 45 days just to craft the ceremonial robes and 10 days for the embroidery alone, far exceeding the scale of the original.

Character relationships focus more on an ensemble drama this time around. The branching choices are more impactful, with every decision naturally rooted in the character's personality and the situation at hand.

In terms of gameplay, we added features like reviewing petitions, issuing edicts, and a Five Elements attribute system. These provide players with a more visceral 'Empress' experience. We also focused heavily on historical etiquette, such as the 'Chasuli' (a greeting used around the Tang Dynasty for showing respect to superiors), which differs from common gestures seen elsewhere.

A. The golden rule is that every choice must be rational and consistent with the character's current personality and circumstances. We do not want to design 'right' or 'wrong' answers. If one choice is clearly superior, the act of choosing loses its meaning. The core is that every choice has its own logic and its own consequences. A user chooses 'A' not because it is 'better,' but because that is what the character would decide in that moment.

We also view every sub-story as an organic extension of the main plot. They are not 'extra rewards,' but rather experiences that unfold naturally as a result of the player's choices. The logic for unlocking branches is purely: 'Because you made this choice, you are seeing this story.'

Ultimately, the weight of the choice is what matters. If a choice feels hollow, the visuals lose their impact. We design every system to ensure that the moment a user clicks a button, they feel that genuine emotional wave.

A. The world of Prosperity is a fictional dynasty called 'Sheng,' inspired by ancient Chinese culture. Our biggest challenge was maintaining the imaginative freedom of a fantasy world while ensuring it felt authentic. We invited cultural consultants to review everything—from art style and clothing to etiquette—to create a unified cultural texture.

For instance, we worked with scholars to restore the 'Shuanglu' board game (a dice-based game from the Baekje era) and created puzzle boxes based on the celestial stem and earthly branch time system. We put effort into every single detail.

These aren't just decorations; they are elements designed to help the player truly feel the cultural atmosphere of that era. This is why our production time was well above the industry average. We believe it is more meaningful to build one masterpiece than ten mediocre projects.

A. The focus was not on repeating the experience of the first game, but on transitioning from 'survival' to 'governance.' We wanted to show the world from the new perspective of the protagonist, Wu Yuanzhou, as she gains power.

To achieve this, we added systems like the Five Elements attributes, petition reviews, and edict issuing. These do not hinder the main story but allow the user to feel the character's growth in status. Our branching structure is more complex, managed by a 'color-coded script' workflow that kept the entire team aligned even with dozens of intertwined routes.

A. The design goal was simple: these systems must enhance immersion without disrupting the main narrative. Reviewing petitions allows users to glimpse the richness of the Sheng world, while issuing edicts lets them experience the weight of ruling.

Through petition reviews, players encounter ingenious proposals and interesting events from both the commoners and the court. Through issuing edicts, they experience the judgment and trade-offs required to govern.

The Five Elements system and the canonization content are designed to reinforce character immersion and world-building rather than acting as a burden. Ensuring every choice remains grounded in the character's psyche is what we focused on most.

A. The Prosperity series has immense potential for expansion. Its core themes can be explored through various perspectives, backgrounds, and the fates of different characters. We are actively brainstorming future possibilities, so please stay tuned.